How old is antonio banderas 2011




















Tie Me Down! Hide Show Producer 10 credits. Akil executive producer announced. Show all 7 episodes. Hide Show Writer 3 credits. Akil announced. Hide Show Soundtrack 25 credits. Blige Hide Show Director 5 credits. Hide Show Thanks 7 credits. Hide Show Self credits.

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Show all 17 episodes. Amit Trivedi Show all 6 episodes. Tie Me Down! In , Madonna introduced Banderas to Hollywood. He was an object of her desires in her pseudo-documentary film of one of her concert tours, Madonna: Truth or Dare.

Despite having to learn all his lines phonetically , Banderas still managed to turn in a critically praised performance as a struggling musician in his first American drama film, The Mambo Kings The film's success earned Banderas wide recognition, and the following year he was given a role in Neil Jordan 's high-profile adaptation of Anne Rice 's Interview with the Vampire , sharing the screen with Brad Pitt. He appeared in several major Hollywood releases in , including a starring role in the Robert Rodriguez -directed film Desperado and the antagonist on the action film Assassins , co-starred with Sylvester Stallone.

In , he starred alongside Madonna in Evita , an adaptation of the musical by Andrew Lloyd Webber and Tim Rice in which he played the narrator, Che, a role played by David Essex in the original West End production.

He also had success with his role as the legendary masked swordsman Zorro in the film The Mask of Zorro. In he starred in The 13th Warrior , a movie about a Muslim caught up in a war between the Northman and human eating beasts. In , he collaborated with Robert Rodriguez who cast him in the Spy Kids film trilogy. Banderas' debut as a director was the poorly received Crazy in Alabama , starring his then wife Melanie Griffith.

Banderas' voice role as Puss in Boots in Shrek 2 , Shrek the Third , and the last film in the Shrek franchise, Shrek Forever After , helped make the character popular on the family film circuit. In , he starred in Take the Lead , a high-set movie in which he played a ballroom dancing teacher. That year, he directed his second film El camino de los ingleses , based on the novel by Antonio Soler and also received the L.

The two had not worked together since Tie Me Up! In The Skin I Live In he breaks out of the " Latin Lover " mold from his Hollywood work and stars as a calculating revenge-seeking plastic surgeon following the rape of his daughter.

According to the Associated Press Banderas' performance is among his strongest in recent memory. This film reunited Banderas with Salma Hayek for the sixth time.

He has invested some of his film earnings in Andalusian products, which he promotes in Spain and the US. He is a veteran of the perfume industry.

He was still married to Ana Leza — the Spanish actress later accused Melanie of "stealing" her husband — and Melanie was ending her marriage to actor Don Johnson for the second time. Antonio and Melanie are seen here stepping out together as a couple at the London premiere of "Haunted" in October Antonio Banderas and Melanie Griffith tied the knot in May shortly after both of their divorces were finalized.

She was pregnant with their daughter, Stella, at the time. The newlyweds are seen here at a Hollywood charity event in October just a month after welcoming their baby girl. Antonio Banderas reunited with Madonna in the film "Evita. The performance earned him his very first Golden Globe nomination for best actor in a motion picture musical or comedy. Baby makes three! Antonio Banderas and Melanie Griffith welcomed daughter Stella del Carmen Banderas Griffith in September and doted on their little girl, who's seen here with them in January Melanie also had two children from previous relationships — son Alexander Bauer with actor Steven Bauer, who was born in , and daughter Dakota Johnson with Don Johnson, who was born in The film's success also inspired a sequel, "The Legend of Zorro," that debuted seven years later.

He brought along daughter Stella and wife Melanie Griffith to the event a few weeks after its release. Antonio Banderas moved behind the camera for the first time in He made his directorial debut with "Crazy in Alabama," which starred wife Melanie Griffith. Daughter Stella made her big-screen debut in the movie. Doting stepdad! While attending the Academy Awards as a presenter, Antonio Banderas brought two dates — wife Melanie Griffith and stepdaughter and future star!

Dakota Johnson. The new arrival sported a backcombed goth bouffant and brandished a bright red briefcase that could only contain documents of national importance. He ordered a drink, cracked some jokes then turned abruptly towards Banderas. Nonplussed, Banderas turned to his friends. But he won't make any more. These were wild, bawdy and exuberant; joyous yelps from the underground that caught the ears of the world.

They installed the director as the most feted Spanish film-maker of his generation, and they also provided a springboard for the actor, who abandoned the old gang, lit out for America and remade himself as a Hollywood star. Banderas has his herbal tea and his cigarettes. His conversation is a rush of accented English, peppered with italics, face-pulling and extravagant waves of the hand. At the age of 50, there is still something of the wide-eyed, beautiful boy about him, although the brow has crinkled and the hair is now threaded with grey.

And that's OK, he insists. Ageing is fine; it brings fresh challenges. He was getting sick of all that "Latin lover shit" anyway. The Skin I Live In is a giddying, psycho-sexual Frankenstein tale, loosely based on a French novel Tarantula by Thierry Jonquet and layered with false trails and flashbacks.

Banderas plays mad scientist Robert Ledgard, a driven plastic surgeon, shunned by the establishment and plotting revenge against the young buck who assaulted his daughter.

The film's first half plays out as a prolonged, perfectly managed tease. Ledgard is a widower, except that maybe he's not. His daughter was raped, except that maybe she wasn't.

The audience is led by the nose, groping blind. Then, out of nowhere, the trap is sprung; the plot spun on its head. Banderas initially struggled to acclimatise to the film. The picture darts across so many registers that he found himself running to catch up. Ledgard, too, proved a tough nut to crack. Banderas plays him as stealthy, steely and all-but impassive — but this was not his first approach. Square my shoulders. Show off all my acting skills. The story's told in the script, you don't need to push it.

Hold your horses. Keep it minimalist. Yet again, he gave me a lesson. He arrived in Madrid at the tail end of the s, a kid from the boondocks, out of his depth. The Franco regime had drawn to a close and the city was in the throes of a cultural renaissance. The sudden relaxation of decades-worth of state censorship lifted the lid on a thriving subculture of new-wave bands, low-budget film-makers and comic-book scribblers.

Homosexuals hopped out of the closet. Recreational drug use exploded. Back then, it was just a bunch of oddballs, starting afresh and celebrating their new-found freedom with a wild abandon.



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